Comic Resources:

Main
Synopsis
Sketches/Notes
Vol. 1 Page Previews
Vol. 2 Page Previews
Press
The Shop
The Hookah Blog
Info/Contact

 Arab-American Socio-Politics:

The Arab American Institute
The Arab American News
The National Council of Arab Americans
NAAP
ArabAmerican.net
American Federation of Ramallah, Palestine

Wayward Middle Eastern Girls, a blog


Art and Entertainment:

aljisser.org
Alwan Center for the Arts
NY Arab American Comedy Festival
Mazen Kerbaj-Cartoonist in Beirut
Jennifer Camper-Lebanese-American Lesbian Cartoonist
Naji Al-Ali-Revolutionary Palestinian Cartoonist
Palestinian Artists

 

The Hookah Girl And Other True Stories:

Growing Up Palestinian Christian in the US.
A memoir by Marguerite Dabaie

 

Synopsis: Why Am I Doing This?

 

“The Hookah Girl” is a comic that is very personal and steeped in my own experiences. While I have never lived in Israel/the Palestinian Territories, I grew up in a culture very saturated with traditional Arabic thought within the US. I want this book to address that my family are people, and while they sometimes act strangely, they aren't necessarily stranger than any other family.

My goal is to continue work on a comic that is accessible while being a bit edgy. I want to address my truths, that aren’t necessarily the truths of other Arab-Americans out there. In other words, I want to get people interested in Palestinians outside of what’s heard in the media, where they are mostly cited as “civilian casualties” or “terrorists.” There is no middle ground in media coverage of this culture in general. It may be expected of me to touch on the regional politics in my comic, the big Elephant in the Room. I’ve mulled over this, and while I am very political and have my opinions on the matter, I am ultimately opting to leave politics out of my work. Frankly, I’ve never lived in the area, so how can I talk about it? I’d rather leave that to the experts. Besides that, my aim is for my work to be non-antagonizing. I would love for people of different ethnicities and religions to read my book.

My drawing style throughout is purposefully varied and “wonky.” I wished for each subject to have its own particular flavor, and chose a drawing and storytelling style that I felt was appropriate to the story. I also largely did not want the pages to look polished. I very much value the warmness and immediacy of wavy lines, blotches of black and imperfect fonts.